The Lab will be dedicated to the memory of Sundances generous Creative Advisor Douglas McGrath who passed away several months ago. She was a recipient of Sundances 2021 Uprise Grant, one of Filmmaker, Magazines 2021 New Faces and had her recent short film. Shireen Alihaji is a First Gen, Ecuadorian-Iranian, Muslim, and disabled filmmaker. As barriers to her career overwhelm her, Mileva battles mental illness and her own exclusion from history. She is anAssistant Professor of Filmmaking at the University of Oregon. Underemployed applicants will be those individuals depending on deferred income from theircurrent project and not otherwise employed full-time in the field. In light of the financial impact of the pandemic, Sundance Institute opted to scale back some programs and find new ways to support artists who are at the heart of our nonprofit mission. Ut elit tellus, luctus nec ullamcorper mattis, pulvinar dapib. Set in sprawling 1970s Hawaii, this is the story of how the Aikau name became synonymous with groundbreaking big wave surfing, the Hokulea, and the reclamation of the most revered sport in Hawaiian history. (Lebanon/Canada/France): Rana, a feisty & competitive woman avoiding a secret from her past, becomes obsessed with the male-dominated pigeon wars of Beirut. Her work draws, cultural bridges that lead to the Caribbean through intersectionality, duality and. Nominators represent a broad cross section of media, arts, racial justice, theatre, humanities, philanthropy, social sciences, and human rights fields. Strange, interconnected events transform three generations of lives in the Southern California foothills an aging heiress haunted by visions of her dead mother, an aspiring young female novelist running a video game arcade, and a trio of teenage musicians caught in an increasingly tense dispute between local gangs. Her debut short film, at BlackStar, Sundance Film Festival, AFI and others, and won the 2020 Golden Bear for, Best Short Film at Berlinale. His latest short film, H.A.G.S (Have A Good Summer), was acquired by the New York Times Op-Docs. Lowen is also winner of the National Poetry Seriesfor her collection The Cloud That Contained the Lightning about the making of theatomic bomb. We feel privileged to provide vital creative guidance and meaningful community at a crucial moment in the development of these projects., For 40 years, the Feature Film Program (FFP) Labs have supported and championed an exciting and groundbreaking array of independent filmmakers including Charlotte Wells (. They write genre work, predominantly gothic, folk, psychological, and body horror with queer and female, received a Special Jury Mention at Outfest, (2019). We encourage individual artists to learn more and apply throughartistrelief.org. Regretfully, we are pausing the New Frontier Lab programs for the next year, and we do not plan to host a 2021 Story Lab. The Sundance Institute Feature Film Program is supported by explore.org, a direct charitable activity of the Annenberg Foundation; Alfred P. Sloan Foundation; The Asian American Foundation (TAAF); Directors Guild of America (DGA), Will & Jada Smith Family Foundation; Hartbeat; Maja Kristin; NBC, ; United Airlines; Amazon Studios; Hollywood Foreign Press Association; Karen Lauder; Ray and Dagmar Dolby Fund; National Endowment for the Arts; NHK/NHK Enterprises, Inc.; Kimberly Steward. It was an intense week full of advisor meetings and writing workshops. Deadline: May 3, 6 pm PT for open submissions to the January Screenwriters Lab and International January Screenwriters Lab. Who makes the decisions?Sundance Institute will convene two selection committees: one to review applicants based in the United States and one for international. Hadas Ayalon is a director, screenwriter and film editor living in Tel Aviv. The New Perspectives Pitch Lab is a training initiative for emerging non-fiction talent with a social impact project in development or production by the Australian Film Television and Radio School (AFTRS), Doc Society and the Australian International Documentary Conference (AIDC), in partnership with Screen NSW. From labs and fellowships to screenings and gatherings around the world, the Indigenous Programs offerings are designed in response to the specific needs of Native and Indigenous storytellers. When a priest commits suicide and two trainees are expelled from a seminary, a journalist starts to investigate the Vatican's silence on broken vows of celibacy. It's one of the most prestigious, with just 15 lucky screenwriters selected to participate in the five-day workshop and mentoring from esteemed Creative Advisors in Utah. He most recently penned three episodes of Taiwan Crime Stories for Imagine Entertainment (Disney+). . Rosenberg has written for television while developing. As music unlocks memories, Amina discovers who she is. The Sundance Institute | Humanities Sustainability Fellowship is a yearlong program that willprovide 20 direct, unrestricted stipends to supplement the income of U.S.-basedunderemployed nonfiction mediamakers whose work and livelihood have been grossly affectedby the pandemic. Can multiple key creatives working on the same project apply? personal story of losing his brother to bipolar. ho confronted rampant discrimination to become one of the first women in physics and an essential contributor to the theory of relativity. Foundation Fellow. Best screenwriting fellowships #3: Sundance Screenwriters Lab. Yes. Lab and Intensive participants were selected from over 2000 submissio, ns to further develop their scripts with the guidance of accomplished advisors under the leadership of, (Founding Senior Director, Sundance Institutes Artist Programs) and, The January Screenwriters Lab cohort will develop their projects in person at the Sundance Mountain Resort from January 14-18 with the generous support of Artistic Director. Sundance Institute has now opened applications online for the January 2014 Screenwriters Lab. Jesahel Newton-Bernal is a writer/director born and raised in Ecuador with an MFAfrom Columbia University. (U.S.A.): When their federal funding is cut, a disabled man and his roommate/caregiver become small-time con artists to survive, extorting small businesses for minor ADA violations. We support women filmmakers to grow and sustain their careers through a yearlong fellowship program, an annual financing intensive, and community events throughout the year. Applications must be received by the deadline. Her first shortfilm Paris on the Water (2014) won the Student Academy Award and the IsraeliAcademy Award for Best Narrative Short. Given how weremember is pivotal to healing, her films use memory as a central gaze to de-internalizesurveillance, uncensor the imagination and mirror our infinite reflections. Fremont, CA. Selected mediamakers working on humanities-focused projects will receivemonthly stipends of $5,000 per month over the course of 12 months. Taking place from January 15-18 online, the writers were chosen from a whopping 3,200 applicants. Their short film Skin received a Special Jury Mention at Outfest(2019). Learn, share, and connect. What stage does my project have to be in to be eligible? A 60-something woman has her life turned upside down when her polygamous husband, who had been happily ensconced with his second wife, unexpectedly expresses a renewed interest in their stale relationship. Our Outreach & Inclusion Program builds upon the Institutes commitment to support and celebrate voices from historically underrepresented communities. Deadline: January 2022 Prizes to be won In terms of exposure, the amount is not even comparable to other film festivals. The Documentary Film Program provides financial and creative resources to nonfiction filmmakers around the world. is a filmmaker from Fremont, CA. Recognizing the crucial role that independent producers play in finding, championing, and shaping original voices in filmmaking, the Producers Program supports both fiction and nonfiction producers at all stages of their feature-length projects and their careersthrough a year-round continuum of support, including labs, fellowships, intensives, grants, networking events, funding, and educational resource opportunities. Rockwell) and The Pod Generation (written and directed by Sophie Barthes), which is the 2023 recipient of the Institutes Alfred P. Sloan Feature Film Prize. Join now. Since our inception, the Institutes programs have supported more than 11,000 artists and fostered a community for independent storytellers to learn, grow, connect, and give back. He is a 2021 Sundance Screenwriters Lab Fellow, a recipient of the 2020 Tribeca Film Institute Sloan Grant, a 2020 Cine Qua Non Lab Script Revision Lab fellowship, the Martin E. Segal Production . Before transitioning to film,Walter worked as a journalist for The New York Times. She is the inaugural Sundance Merata Mita Fellow. (U.S.A.): In the wake of 9/11, a First-Gen Muslim teenager discovers her mothers cassette tapes. If you have a disability and require accommodation in order to fully participate in this event, please complete this form, contact us at (435) 776-7790 or email us at accessibility@sundance.org to discuss your specific needs. When a mysterious woman descends on his city sermonizing about extraterrestrial salvation, he thinks reunion awaits him, unaware that this seemingly joyful deliverance will soon be threatened by a looming hurricane. Almas love for her close-knit family forces her to maintain the facade that nothing has changed, resulting in the absolute loneliness that comes with pretending. Given how we, remember is pivotal to healing, her films use memory as a central gaze to de-internalize. Through these activities, producers create community with fellow producers and industry, hone creative skills, gain knowledge of the field, and develop strategies for pitching, producing, financing, and releasing their films. We have seen audiences and critics embrace the bold vision and complex characters that are thriving in cable drama and comedy. With the help of advisors, some of . Set in sprawling 1970s Hawaii, this is the story of how the Aikau name became synonymous with groundbreaking big wave surfing, the Hokulea, and the reclamation of the most revered sport in Hawaiian history. Jan Danisman. Mediamakers working in radio, podcast, long-form documentary films, and immersive media areencouraged to apply with projects that are grounded in humanities scholarship. This article investigates the influence of French films and French film culture on the development of New Zealand film culture (1930s-1950s). Through open applications, the Documentary Fund provides more than two million dollars in nonrecoupable film financing each year, and labs focused on editing and producing support both emerging and experienced makers. Jason Fitzroy Jeffers is a filmmaker from Barbados who has produced award-winningshort films such as Papa Machete and T that have screened at festivals such asSundance Film Festival, TIFF, BlackStar, and Berlinale. (U.S.A.): Haunted by a supernatural force, a Kurdish American man struggles to start a new life with his American fiancee while dealing with the reappearance of his estranged father. Submission period: 8am PT on May 4, 2020 - 6pm PT on June 4, 2020 June 12, 2020. A USC film school alumnus and native of the San Gabriel Valley of Los Angeles, DavidLius work as a screenwriter and director is supported by the Sundance Institute,SFFILM, IFP/Gotham, ARRAY, Visual Communications, and CAPE. Website. Bernardo Cubra (Co-writer), John Hibey (Co-writer), & Joshua Penn Soskin (Co-writer, not attending) with Kill Yr Idols (U.S.A.): In the Rio Grande Valley, just north of the Mexico/US border, the friendship of two teenage boys is tested as they embark on a whirlwind punk rock odyssey to escape their realities and seize their dreams. Toggle navigation s work as a screenwriter and director is supported by the Sundance Institute, SFFILM, IFP/Gotham, ARRAY, Visual Communications, and CAPE. 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